#THE DARK TOWER SERIES AUDIOBOOK FULL SET MOVIE#
The movie version of The Dark Tower is as much about Roland reclaiming his faith and his will to fight as it is about Walter’s scheme. His only goal is to take revenge on Walter, who murdered Roland’s father Steven (Dennis Haysbert). Reminded of his oaths to protect the tower, he says the war against darkness is over, the forces of light have lost, and the tower’s destruction is inevitable. In Arcel’s movie - consciously developed as a sequel to the books, though only die-hard King fans are likely to notice - Roland has become pessimistic and embittered, and has given up on fighting the good fight. In King’s books, Roland is a fantastically hardened, weary man who’s spent his life obsessively seeking the tower. Jake does have a reluctant partner in Roland Deschain (Idris Elba), the last of a line of honor-bound, gun-wielding warriors whom King modeled after King Arthur and the knights of the round table. Roland is the last of a line of gunslingers modeled after King Arthur’s court And that, apparently, is meant to be enough to carry this opening chapter. An evil sorcerer named Walter (Matthew McConaughey) is attempting to destroy it. And there’s no attempt to build the world’s mythology past the most rudimentary levels. The exposition comes awkwardly in The Dark Tower, with an unapologetic frankness that makes some of the potentially more poetic, mythic reveals land with all the grace of a dropped anvil. It’s not exactly clear what that means in the context of the film, since Jake winds up facing demons anyway, and the tower seems to have no effect on the considerable darkness the film’s villain brings into the world. Sony Picturesīut eventually, Jake learns what the opening titles already explained - that there are many worlds, and the tower is an artifact at the center of them all, holding back darkness and keeping demons at bay. His concerned mother (Katheryn Winnick) and sullen stepfather (Nicholas Pauling) assume he’s having a psychotic break, and needs intense therapy.
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The dreams seem to be connected with a global rash of increasingly severe earthquakes, but naturally, no one believes Jake when he frets over the possibility that his visions of otherworldly crisis might have significance in his world. But Arcel’s Dark Tower attempts to ease newcomers into its world through the point of view of Jake Chambers (Tom Taylor), a young New Yorker haunted by nightmares about the magical Dark Tower, and a hideous child-powered machine that’s being used to rip holes in it. King’s series kickoff The Gunslinger starts straight off with its battle-weathered protagonist pursuing a hated enemy across a desert. The script, credited to Arcel and three others (including Akiva Goldsman, also a writer on the comically botched adaptations of Winter’s Tale, Insurgent, and The 5th Wave), struggles to establish whose story is important, what tone the film should take, and whether this is meant as a stand-alone story where the loose ends can be neatly wrapped up, or a franchise-launcher meant to draw people into a cinematic universe. That confusion over the intended audience isn’t the only way The Dark Tower works against itself. The filmmakers weren’t sure where they wanted to focus The Dark Tower, helmed by Danish director Nikolaj Arcel, is so simplified in places that it seems outright generic. And it’s particularly difficult to adjust to the way the story has been remodeled for a mainstream audience, and steamrollered flat into a familiar fantasy form.
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So it’s inevitable that the first film adaptation would be something of a disappointment for fans, because no one movie - especially not one that clocks in at a scant 95 minutes - could possibly live up to the epic image of this character and this world in their heads.
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#THE DARK TOWER SERIES AUDIOBOOK FULL SET PLUS#
Fans waited more than 20 years for the complete story, which spanned thousands of pages and seven books, plus a later anthology, a series of graphic novels that expanded the series’ backstory, and a long series of crossover references in seemingly unrelated King novels and stories. But the sequels came at distressingly long intervals, and it frequently seemed as though King had shelved his magnum opus entirely. King’s genre-hopping series about a grim hero from a post-apocalyptic world, eternally battling his way across realities toward a mystical tower, launched in 1982 with The Gunslinger. Martin’s Song Of Ice And Fire is now: a gritty epic that stood as its author’s most sweeping accomplishment, but looked like it might never be finished. For Stephen King fans at the turn of the millennium, the Dark Tower series was what George R.R.